UCLA
SMP EdNews, April 2006

by Pat Martinez-Miller and Barbara Linsley,
UCLA SMP Faculty
in collaboration with Melinda Williams, Director of Education, Music Center Education Division

As the national conversation
on high-stakes testing and the narrowing of public school curriculum
and instruction heats up, the Music Center: Performing Arts Center of Los Angeles County is
perfecting a “grass-roots” way
to improve student learning—not just in the arts but across
the curriculum. UCLA SMP is excited to be a collaborator
in the Music Center’s planning.
The Music Center has been
a leader in the professional development of educators since
1981. Music Center programs
help teachers and administrators understand an arts discipline
through in-depth study of a classic or “anchor work” of
art. Educators work at a deep and personal level as preparation
for developing lessons that do the same for students. With
funding from the National
Endowment for the Arts,
The Music Center’s acclaimed “Institute
for Educators” take
on the challenge of the “inch deep—mile wide” curriculum. By
engaging educators actively in the use of a single anchor work,
the Institute allows teachers to develop thoughtful and effective
lessons that teach not only to the Visual
and Performing Arts Standards, but result in standards-based
learning across the curriculum.
One Institute participant,
Ann Fredal of Farragut
Elementary School (Culver City USD), had her students study Robert
Rauschenberg’s
offset lithograph poster, “Earth Day.” The
following poem by student Zoe Littleton is in response to Rauschenberg’s
work, and it speaks for itself:
I Wonder Why there is Trouble on Earth
By Zoe Littleton, 4th Grade
I wonder why
people are polluting
our planet
I wonder why
they are taking away
our natural resources
Cutting down trees
and littering
all over the place
Hurting endangered animals
by taking away
their habitats
Smoking cigarettes
and causing people
to get sick
I wonder why
people are causing trouble
for the Earth.
During five-day Institutes,
teams of teachers and administrators learn together, and then
collaborate to develop four to five lessons that they will
take back to their classrooms and schools. Music Center
artists and staff educators support the learning and continue
a relationship with the schools and teachers after the Institutes
to learn about the impact of the work, and to help Institute
participants delve even deeper into the arts and effective pedagogy.
When this past year’s
Institute participants reconvened in November to share their
work following the July 2005 Institute, they cited the following
lessons learned:
SUCCESSES
- Success for all students
- Students use arts vocabulary and higher
level skills
- Teachers learn new strategies
- Easy to integrate Institute activities
- Students understood literature on deeper
level
- Students owned work of art
- Renewed energy for teaching and learning
- Students ready to perform and enjoyed
process
- Allowed for personal expression – enthusiasm
conveyed to students
- Work from your heart
- The courage to teach the arts transcended
the barriers
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WHAT THEY WOULD REVISE
OR DO DIFFERENTLY
- Without time constraints could go deeper
- Add writing reflection(s)
- Raise the bar for students
- Work in smaller groups more often
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WHAT THEY WILL INTEGRATE
INTO THEIR ONGOING PRACTICE
- Use strategies across the curriculum
- Look at something in depth to get deeper
understanding
- Use Music
Center Education Division website to
get other lessons
- The arts are a springboard
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In the words of participants themselves:
This is the best professional
development that I’ve ever seen – ever. Useful,
engaging lots to learn. I am filled with ideas; this
will connect all the pieces. This will become the core
of how we look at things.
I was surprised how much
I learned about the blues and Langston Hughes. [E]ven
though I knew some of these things, I learned them in a deeper
way. I experienced
it, I own it.
[In regards to Open Court], .
. . if you really look at the themes and the skills that
are addressed, the anchor works could apply beautifully. We
think of this as thematic teaching. The teachers may
find the anchor works approach a breath of fresh air with
concepts that they have taught over and over.

Below are links to resources
and education centers mentioned in this month’s
issue:
Music
Center’s Institute for Educators
Sample
curriculum units that teachers developed and implemented after
attending the Institute for Educators
Music
Center Education Division’s professional
development programs
Information
about Music Center Artsource materials
California
Visual and Performing Arts (VAPA) Standards
Link
to join the Music Center Online Educator Network

In our March issue, we focused on integrating the arts throughout
the curriculum and asked our readers, How does your school support
the arts?
Richard
Burrows, Director
of the LAUSD Arts Education Branch,
responded: I read with interest comments about the
dismal state of affairs regarding the arts in public schools
in California. Please find attached
information regarding the renaissance
of dance, music, theatre, visual arts and media arts in LAUSD. Many,
many good things are happening.
Mark
Slavkin, Vice President for Education – LA
Music Center, Education Division, shared the following information: I'm
glad the SMP newsletter focused on arts education. However,
I had a concern about one section lamenting the decline of arts
ed in LAUSD. The reality is, since 1999, LAUSD has made
steady progress in reinvesting in the arts, hiring hundreds of
arts teachers, and expanding access to quality programs throughout
the District.
Marcus
Connaghan, 8th grade Physical Science teacher from Berendo
Middle School responded: As
a new teacher in an LAUSD middle school, and someone who grew
up with band and choir classes through most of my K-12 years,
I was curious to know what we had available at my new school.
From the bits that I have gleaned so far this year, we appear
to have two music teachers serving a population of over 3300
students (one teaches band, the other choir and dance), one of
whom I know works a "rainbow" shift
-- i.e., he works year-round, serving all three tracks at our
school. Because of our three tracks, some students are off-track
when performances take place, and so have to come to afterschool
rehearsals during their vacation in order to participate. I have
heard and seen the band practicing, but have never heard the
choir, and I have yet to attend any student-performed music assemblies
(perhaps that only occurs when the C-track is away). There are
posters and announcements made regarding this spring's performance
of Fiddler on the Roof, which will be performed in a few months,
again when C-track is gone, but I have yet to hear or see any
rehearsing going on. I don't know how we can serve the artistic
needs of our students when so much of our energy goes toward
handling overcrowded classrooms and struggling to meet standards,
but I'm glad that these two teachers are trying.
For this month’s
topic:
Share with us a story from your own classroom experience
about an unexpected, surprising, and/or powerful moment in
a child’s learning, that was an outcome of his/her experience
with the visual and/or performing arts.
We invite you to share
your stories. Please
click here to email us
your responses to this month's Combined Brainpower. We look
forward to sharing your thoughts in future issues of EdNews.

“Art
does not solve problems but makes us aware of their existence.
It opens our eyes to see and our brain to imagine.”
-- Magdalena
Abakanowicz,
Polish sculptor

DonorsChoose.org
This not-for-profit website
allows teachers in low-income schools to submit project
proposals for materials or experiences or other resources
that do not exist at their school. Concerned individuals,
called Citizen Philanthropists, choose projects to fund.
Proposals are searchable with criteria including keyword,
school type, cost to complete, etc. View the details of
an example proposal called "Trip
to the Museum of Tolerance."

At Miramonte Elementary School (Mountain
View School District), 6th grade teachers have
taken on the challenge of preparing students for the upcoming
high stakes test in a creative and innovative way. Their
inventive approach to test-taking preparation using old benchmark
assessments has produced dramatic results!
Laura Gaber, the 6th grade teacher
who initially tested out the strategy with her students, wrote, [It]
really empowered the students. They wanted to see what
they got and how it worked.
Download
Miramonte Elementary School’s Test-Taking Strategy to
try in your classroom!

Look
for a special edition of SMP EdNews to be sent in late
April 2006. This issue will focus on other unique test-taking
strategies and successes!

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A nonprofit school reform initiative
of the Graduate
School of Education & Information Studies,
the UCLA
School Management Program (UCLA SMP) is
devoted to the sustainable transformation of public schools into
learner-centered organizations where all students can achieve
at high levels.
UCLA SMP works with educators,
building and district administrators, and community members to
improve student achievement by fostering well-managed schools
where professional development enhances teacher effectiveness,
builds community, and results in personal transformation.
Since the program was launched
in 1992, UCLA SMP has worked with over 800 schools in districts
throughout California.

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